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For
example, this essay's
subtitle is the
Greek Kyrie, eleison
12 times. It is
prayed like this at
Lauds, and there are a
large number of sets of
the triple Kyrie,
eleison either alone,
after versicles and
responses (such as Dominus,
vobiscum), after the
antiphon to a psalm when
the antiphon is repeated
at the end, sometimes
after a Capitulum,
etc.
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Dominus
vobiscum, etc. appears
often throughout the
hours, many more times
than in the Roman Rite.
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The
Milanese transliterate
the Hebrew and say Hallelujah
rather than use the
Latinized form, Alleluia.
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While
the Roman Rite office
provides every psalm, or
every section of a psalm
that stands alone, with
an antiphon, the
Ambrosian Rite does
not. The one hour
where the practice is the
same is at Vespers,
which, in the pre Vatican
II form, was adopted
through the influence of
Roman authorities.
At many hours (Prime,
Terce, Sext, None and
Compline) there are no
antiphons for the
psalms. At Matins,
the system is different
once again: there
are three nocturns;
one antiphon is
assigned to one nocturn,
the antiphon is prayed
before the first psalm
and after the last psalm
of the nocturn.
(The doxology, Gloria
Patri, also is said
at the end of the nocturn).
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There
are no divisi
psalms (e. g., psalms
which are separated into
two or more parts) in the
Breviarium Ambrosianum.
The only exception to this is Psalm 118,
the longest of the
Psalms, which has
been separated into
several sections by both
Roman and Milanese
traditions. In the
Ambrosian breviary, at
the Little Hours (Prime,
Terce, Sext and None),
the Gloria Patri
is prayed after every 2
sections.
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One
unique feature of the
Ambrosian breviary is the
system of decuriae.
In Roman times, a decuria
was a unit of ten people
and understood as a legal
entity (e.g, ten
soldiers, workers, or
even a family
grouping). In the
Ambrosian breviary, the
days from Monday through
Friday for two weeks are
assigned a decuria.
For example, Monday of
Week 1 would be Decuria
1, Tuesday, Decuria 2,
etc. In week two,
Monday would be Decuria
6, Tuesday, Decuria 7,
etc. Saturday
Matins are not part of
this scheme and has a
combination of canticle
and portions of Psalm
118, for both
weeks. Sunday is
the same each week: only
canticles are assigned to
Matins (e.g., Isaiah,
Anna, Jonah). (This
can be seen in the layout
of the Psalter schema.)
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Another
feature is the Lucernarium.
The Lucernarium is found
in many rites of the
Eastern Church (both
uniate and Orthodox), and
also in the Ambrosian
Breviary. Scholars
continue to question the
source of the Milanese Lucernarium,
as well as the origins of
the Milanese Rite, but,
it is true to say that in
the Western Church, the
Ambrosian Lucernarium has survived and lives,
still. Vespers is
an evening prayer;
the Lucernarium always opens Vespers in
the Ambrosian Rite.
Originally, before the
modern period, lamps were
lighted at dusk for a
very practical
reason. Soon, the
reason acquired Christian
meaning and symbolism,
and the lamplighting
symbolized the light of
Christ. It is still
done, though it is no
longer needed for its
practical purpose.
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While
some antiphons for the
Vespers in the Ambrosian
Rite psalms are the
same as the Roman Vespers
antiphons, others are
slightly different, and
still others, completely
different. This is
true throughout the Psalter, where the are
antiphons for psalms or
canticles. Other
textual differences
appear throughout the Breviarium
Ambrosianum (e.g.,
substitution of words,
such as in Compline's Converte,
nos, etc.......Et
averte iracundiam,....etc.
[In the Roman Rite, it
is Et averte iram,....etc].;
placement of words, such
as Fidelium animae.......per
Dei misericordiam....etc.
[In the Roman Rite, it is
Fidelium animae......per
misericordiam
Dei....etc.].
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Some
elements in the Ambrosian
Rite are named
differently than in the
Roman Rite. For
example, the "little
chapter" or capitulum
in the Roman Rite is the epistolella
in the Ambrosian
Rite. At the same
time, capitulum in
the Ambrosian Rite is
really what might be
called a "one
liner", a short
sentence or so of praise,
joy, other feeling,
sometimes accompanied by Hallelujah
or Kyrie, eleison,
or both.
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The
Milanese also include
orations (prayers) to
begin canticles (such as
at Matins).
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The hymnody
of the Psalter is sparse
(there are several hymns
throughout the breviary,
but some of the more
usual ones found in the
Roman Breviary are
missing, and others have
a different, perhaps
earlier, translation than
that of the Roman
Rite. If we
consider the time after
Pentecost (the
"green season"
in the Roman Rite and the
"red season" in
the Ambrosian Rite [red
is used until the 3rd
Sunday in October, the
Dedication of the
Cathedral Church] or
"ordinary
time", as it is
called today), we see
that there is only one
hymn for every Matins
(Sunday through
Saturday): Aeterne
rerum Conditor; there
is only one hymn for Lauds
(Sunday through
Saturday): Splendor
Paternae gloriae;
there is only one hymn
for Prime: Jam
lucis, Sext:
Rector potens,
verax Deus, None:
Rerum, Deus, tenax
vigor, Vespers:
Deus, Creator omnium and
Compline: Te,
lucis ante terminum.
Terce has
two hymns: one for
Sunday: Jam
surgit hora tertia,
and one for weekdays: Nunc,
Sancte nobis Spiritus.
For solemn feasts and
some seasons of the year,
other hymns are used.
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On
Sundays and weekdays
throughout ordinary time,
there are no orations
taken from the Sunday
propers (e.g., 5th after
Pentecost);
orations are provided in
the Psalter, and they are
generic and recur each
week. There are
other elements from the
proper which are used in
the Sunday office:
readings, responsories,
antiphons, psallendae,
etc. On some feast
(of a solemn nature), a
prayer is used from the
proper.
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The
Milanese use the completorium
and psallendae:
both are short bursts,
one liners of thought or
praise or supplication,
etc. Responsories
are of several kinds: the Lucernarium is a
responsory, for
example. Most are
identified by their
placement in the office,
or in the physical space
of the office, though
this latter sense is not
in use these days.
So, we have: ad Crucem,
in Choro, in
Baptisterio, cum
Infantibus, inter
lectiones. During
Lent, there are Quadragesimalia.
When chanted, these are
done in the Milanese
chant manner, which is
different from Gregorian
chant in many
features.
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The
Direct Psalm (Psalmus
Directus) is another
feature of the Ambrosian
office. At Lauds
and some Vespers, this
psalm is sung/said by
everyone together, rather
than antiphonally or in
some other choral fashion
(responsorially, for
example). On
ordinary Sundays (time
after Pentecost -
"of the year"),
Psalm 92 is the Psalmus
Directus at Sunday
Lauds. No antiphon
is assigned to it.
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There
is also a " psalm of
4 verses" at Lauds
and Vespers. An
antiphon is assigned to
it.
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The
Latin Psalter of the
Ambrosian breviary
(and throughout the
other liturgical
texts in the
Ambrosian Rite) does
not use the usual
Vulgate translation,
but is the first of
St. Jerome's Latin
translations of the
Bible, made at the
request of Pope
Damasus, about
AD 383; it is
also used at St.
Peter's in
Rome. It is
called the Romana.
The translation was
a revision of the Vetus
Itala, the
oldest Latin version
of the Bible. The Vulgate
version which became
official was his
second revision,
popularly called the
"Gallican" Psalter.
An urban,
"Cathedral"
Office
Scholars look at the
Ambrosian breviary as a
mix of Cathedral
and Monastic
offices. While we don't
know the details of the
long gone Cathedral
office, more than one of
its principal elements
have been integrated into
the Milanese office: the
principle of simplicity.
Cranmer once wrote, when
he was preparing the Book
of Common Prayer,
that people were so busy
and confused trying to
find what parts of the
office to say, that when
the time came to pray the
Hours, they didn't.
He was referring to the rubrics
and the devotional
additions (little
offices, penitential
psalms, gradual psalms,
etc., which were obligatory
for those who were
required to pray the
office) of the
various editions of the
Roman Breviary.
They were complicated and
remained so until the
reform of the Liturgy of
the Hours after the
Second Vatican Council.
The Ambrosian Office,
even with its different
terminology and some
elements, is not a
complicated
prayer.
- Many
elements
of the
office
(hymns,
canticles,
prayers,
etc.) are
changed
infrequently.
- The
placement
of hymns
at the
beginning
of all the
hours
(except
Lauds) is
a
people-oriented
concept: a
pastorally
beneficial
boost to
prayer.
- Frequent
short
acclamations
are also
beneficial:
the many Hallelujah's,
Kyrie's,
psallendae,
capitula.
This
custom is
seen in
the
Eastern
Rites,
too.
- Frequent
repetition
of some
elements (Psalm
50,
Benedicite,
Benedictus,
Magnificat)
- A
simplified
hymnal for
regular
use
(ordinary
time, for
example)
- Frequent
dialogue
throughout
the office
(e.g., Dominus
vobiscum
with Et
um spiritu
tuo as
a
response),
etc.
Some of the
"short"
breviary compilers took
several of the Ambrosian
office principles and
used them in their own
texts: repetition,
infrequent changes,
simpler proper and common
offices, etc.
Whoever compiles any
office would find a rich
resource in the Ambrosian
office; it has
timeless value for those
who wish to pray the
liturgy of the Hours
well.
The
current text of the new
Ambrosian Liturgy of the Hours
is issued in various
formats:
The
complete edition is called Liturgia
Ambrosiana della ore, in 5 volumes,
in Italian. It is in its
second edition. It is
currently being reprinted.
There is
also an edition containing all
the day hours and Night Prayer
called Lodi mattutine,
ora media, vespro, completa per ogni giorno.
Lay
people, alone or in groups,
have adopted Diurna Laus
as their own. It
contains the 4 week Psalter, 2 festal offices from the Proper
and 2 offices from the Common
(BVM & Office of the
Dead). It is also in Italian, only.
Updated,
February 7, 2001
Added
July 23, 2000
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