Propers

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Propers (Proprium de Tempore)

Ps. 107, 1. Parátum cor meum, Deus, parátum cor meum: * cantábo, et psallam in glória mea.

Quick jump:

Advent	→	1st, 2nd, 3rd (Gaudete), Great Antiphons / O Antiphons, 4th.
Christmas	→	Midnight, Dawn, Day, St Stephen, St John, Holy Innocents, Octave.
Epiphany	→	Epiphany, Holy Family, 2nd, 3rd.
Septuagesima	→	7ma, 6ma, 5ma.
Lent	→	Ash Wednesday, 1st, 2nd, 3rd, 4th (Laetare).
Passion/Holy Week	→	Passion, Palm Sunday, Mon, Tue, Wed, Maundy Thursday, Good Friday, Holy Saturday. (Holy Week)
Paschal time	→	Easter Sunday, Mon, Tue, Wed, Thu, Fri, Sat, 1st (Quasimodo), 2nd, 3rd, 4th, 5th, Ascension.
Pentecost	→	Pentecost, Monday, 1st (Trinity), Corpus Christi, 2nd, Sacred Heart, 3rd,
Pentecost 4th	→	4th, 5th, 6th, 7th, 8th, 9th, 10th, 11th, 12th, 13th, 14th, 15th, 16th, 17th, 18th, 19th, 20th, 21st, 22nd, 23rd.

Intr. = Introitus, Introit
Grad. = Graduale, Gradual
All. = Alleluia
Tract. = Tractus, Tract
Seq. = Sequentia, Sequence
Offert. = Offertorium, Offertory
Comm. = Communio, Communion

Ant. = Antiphona, Antiphon
Ps. = Psalmus, Psalm
Hymn. = Hymnum, Hymn
Cant. = Canticum, Canticle
Missa. = Missa, Mass

LU = The Liber Usualis 1961 - PDF
GR = Graduale Romanum 1961 - PDF
GV = Graduale Vatican 1908 - PDF
MV = Mass and Vespers 1957 - PDF
LB = Liber Brevior 1954 - PDF
OF = Offertoriale 1935 - PDF
VPC = Vers. Psalm. & Cant. 1962 - PDF
SOV = Simple Offert. Verses 2008 - PDF
AR = Antiphonale Romanum 1949 - PDF
LR = Liber Responsorialis 1895 - PDF
GB = GregoBase

Singing rules.

Mode	Final	Tenor		M	F	T
1	D	A	serious	1A	A	E
2	D	F	sad/content	2A	A	C
3	E	C	mystic	3B	B	G
4	E	A	harmonious	4B	B	E
5	F	C	glad	5C	C	G
6	F	A	devout	6C	C	E
7	G	D	angelic
8	G	C	perfect

(examples at the bottom of the page)

Proper	mode / tone	LU - MV LB	GR - AR OF - GB	Comments

Passion Sunday (1st Sunday of the Passion) Introibo / 3 / 2 Daoudal Baron Johner
		LU568 MV497	GR151
Intr. Judica me Ps. 42, 1-2, 3. Ps. 42, 4-5.	4	LU569 MV497	GR151 GB78 VPC73	E/F Starting from Passion Sunday until Easter Sunday, excepts on feasts, there is no Gloria Patri after the verse. - Play a few notes for the incipit: EGFE. - Try not to pause at the quarter bar after causam meam. Interesting how the melody on the word causam is familiar and seems easy to remember. - Watch out the major third down BG at gente, with a lengthened G to regroup. - quia tu starts on G which is a major third down BG from the previous word me; another way to pitch this G is to memorize the lengthened G at the end of doloso.
Grad. Eripe me Domine Ps. 142, 9 et 10. Ps. 17, 48-49.	3	LU570 MV499	GR152 GB760	D/E♭ The melody seems to remind Grad. Exsurge from 3rd Sunday of Lent. It starts the same... and that's it pretty much, because there are many differences and it is slightly more difficult. - Take a good breath before inimicis meis, there is a long melism on "meis". And remember to say the "s" at the end, not at the quarter bar. - The porrectus of facere starts on two notes C and A, sung before on the word me. So it is just a repetition of the same CA. - Also watch out the drop a major third down BG at facere. Plus the second one AF at the end. - Take a good breath at the quarter bar after voluntatem before engaging the long melism of tuam. - If you have to breathe on liberator meus it sounds better if you pause at the second quarter bar. Otherwise if you are two cantors, the other one can breathe at the first quarter bar, and later eventually. And don't forget the "s" at the end. - The melody on the word iracundis is tricky: tristropha + episemed C then semitone towards B, coming back to dotted note C and once again B, so it is really like a repetition; the difficulty comes with the jump a minor third BD followed by a gentle come back on the climacus DCB. After that it is easier. - The next words ab insurgentibus are a bit difficult to articulate at first (especially the "ab") ending on a semitone CB... and without any pause it continues towards in me. It ends strangely on a semitone FE after a drop a major third AF. - In the same way the words exaltabis me end on a semitone CB followed by a full bar, a big stop. - The intervals on the words a viro are tricky: there is the podatus minor third DB followed by a torculus CED which is actually a big major third. If you don't push it high enough you might miss the coming back to D at iniquo. - Watch out the two major thirds on the last word me: BG and AF; especially the second one AF: during the first distropha AA visualise the F as major third then sing a simple Do-Re-Mi for FGA, and find the second distropha AA, same as before.
Tract. Saepe expugnaverunt Ps. 128, 1-4.	8	LU571 MV500	GR153 GB742	E/F * v1. Strange incipit going down to the bottom of the staff. Use the various lenghtenings to walk through step by step. For the intonation play three notes G, F and D. - Watch out the B flat on the word expugnaverunt. * v2. Like the Tract. Ad te levavi from 3rd Sunday of Lent you find again an episema on top of a torculus resupinus, here on the word dicat: no need to lengthen everything it would be fastidious; lengthen the first and second notes, come back to speed on the third and sing the fourth note as normal. - Before starting the word saepe, visualise the major third FA in your head / ear. - Walk carefully through the second expugnaverunt, there are a few neumes but only one note C on "ve". - On the words a juventute mea it can be done by pausing and breathing after juventute and sing the rest in one breath. - Now there is a big difficulty on mea: the coming of the B flat, and you don't expect it especially after the few B natural; fortunately you have a double A and a dotted G to prepare yourself for it. The end of the verse is a well-known pattern for a Tract in mode 8 . * v3. First difficulty is the jump a fourth GC on potuerunt, anticipated by a podatus FG. Go light to reach top C. - The syllable "sum" on the word dorsum starts on G, the same note as supra, one note to remember. * v4. The same podatus FG + fourth GC can be heard on iniquitatem. - The first syllable of concidet has many as seven notes, it is tempting to say the "ci" too early... - Be very careful at the last neume, on peccatorum: unlike a classic mode 8 Tract ending it has this little hold on two notes C before releasing the finish... You don't want to trip at the last second.
Offert. Confitebor tibi... in toto Ps. 110, 1. Ps. 118, 17 et 107.	1	LU573 MV502	GR155 GB318	C/C♯ - Lots of up and down in this piece. - Difficult descent AFD on toto, no need to rush, let your voice descend naturally. The same descent happens on retribue. - In a similar way it happens on vivifica me and verbuum, down from top C. - It might sound better if you sing vivam straight on from servo tuo, eventually without pausing at the half bar.
Offert. Confitebor tibi... in toto (verses) Ps. 110, 1. Ps. 118, 17 et 107. Ps. 118, 1-2.	1		OF44 GB15006 SOV10	C/C♯
Comm. Hoc corpus 1. Cor. 11, 24 et 25. Ps. 115.	8	LU573 MV504 MV182	GR155 GB726 VPC74 MV2009	E/F Very strange piece in mode 8; the tenor C does not appear until the second half, and when it appears it is just passing through without proper recitation. In the meantime you spent most of the time on four notes F, G, A, B, succession of tones, no semitone. The whole sentiment is probably related to the authority of the text: This is My Body, which shall be given up for you: this is the cup of the new covenant in My Blood. - The only semitone comes with E and a strange fourth down AE on pro vobis, like a reaching down to the people. - Eventually the association of tenor C and final G happens at dicit Dominus and it is a relief. Says the Lord. - Remember to pronounce quotiescumque as quo-tsi-escumque. - The top notes CDEED emphasizes a solemn command: Do this as often as you receive it, in remembrance of Me. - And we are back to the four notes FGAB for the end of the antiphon. - You might experience a strange sensation when singing the psalm verses which is purely (solemn) psalm tone 8, after the antiphon which can barely be described as a mode 8. - And of course no Gloria Patri at the end of the psalm verses.

Lauds			AR408
1 Ant. Vide Domine afflictionem Ps. 50. Miserere mei Deus secundum	8G	LU---	AR408 AR10
2 Ant. In tribulatione invocavi Ps. 117. Confitemini... dicat	7c	LU---	AR409 AR11
3 Ant. Judicasti Domine Ps. 62. Deus deus meus ad te	4A*	LU---	AR409 AR3
4 Ant. Popule meus Cant. II. Puer. Benedictus es Domine Deus patrum	4A	LU---	AR409 AR12
5 Ant. Numquid redditur Ps. 148. Laudate Dominum de caelis	4A*	LU---	AR409 AR5
Hymn. Lustra sex qui jam	1	LU---	AR410
Ant. Dicebat Jesus Cant. Benedictus	3a	LU1097 LU223	AR412 AR10

Prime		LU568	AR412
Ant. Ego daemonium Ps. 53. Dominus regnavit Ps. 118i. Beati Immaculati in via Ps. 118ii. Retribue servo tuo	8c	LU568 LU226	AR412 AR16

Terce		LU569	AR413
Hymn. Nunc Sancte nobis	2	LU569	AR413
Ant. Ego gloriam Ps. 118iii. Legem pone Ps. 118iv. Memor esto verbi tui Ps. 118v. Bonitatem fecisti	8c	LU569 LU236	AR414 AR27

Sext		LU574	AR414
Ant. Amen amen dico vobis Ps. 118vi. Defecit in salutare Ps. 118vii. Quomodo dilexi Ps. 118viii. Iniquos odio habui	1f	LU574 LU241	AR414 AR33

None		LU574	AR414
Ant. Tulerunt lapides Ps. 118ix. Mirabilia testimonia Ps. 118x. Clamavi in toto corde meo Ps. 118xi. Principes persecuti sunt	1g	LU574 LU246	AR414 AR40

Vespers			AR415	Antiphons and psalms of the Sunday.
Hymn. Vexilla Regis	1	LU575 MV504	AR405 PBC152	F
Ant. Abraham pater vester Cant. Magnificat	2D	LU577 LU208 MV506A MV213	AR415 AR52

Passion Week - Monday Introibo / 2 Daoudal
		LU---	GR156
Intr. Miserere... conculcavit Ps. 55, 2. 3. Ps. 55, 9 et 13.	3	LU---	GR156 GB138 VPC74	No Gloria Patri at the end.
Grad. Deus exaudi Ps. 53, 4 et 3.	8	LU---	GR156 GB621
Tract. Domine non secundum Ps. 102, 10. Ps. 78, 8-9.	2	LU527 MV459	GR89 GB425	F♯/G Same as Ash Wednesday.
Offert. Domine convertere Ps. 6, 5. Ps. 6, 2.	6	LU963 MV825	GR322 GB848 OF84 SOV16	F Same as 2nd Sunday after Pentecost.
Comm. Dominus virtutum Ps. 23, 10. Ps. 23, 1-7.	3	LU---	GR157 GB81 VPC74	No Gloria Patri at the end.

Lauds		LU1098	AR415
Ant. In die magno Cant. Benedictus	8G	LU1098 LU223	AR416 AR10

Vespers		LU1098	AR416
Ant. Si quis sitit Cant. Magnificat	4A*	LU1098 LU210	AR416 AR52

Passion Week - Tuesday Introibo Daoudal
		LU---	GR158
Intr. Exspecta Dominum Ps. 26, 14. 1. Ps. 26, 1, 2-3, 9-10, 13-14.	7	LU---	GR158 GB60 VPC75	No Gloria Patri at the end.
Grad. Discerne causam Ps. 42, 1 et 3.	5	LU---	GR158 GB665
Offert. Sperent in te Ps. 9, 11-12 et 13. Ps. 9, 5, 6 et 9.	3	LU983 MV846	GR329 GB1328 OF85 SOV16	E/F Same as 3rd Sunday after Pentecost.
Comm. Redime me Ps. 24, 22. Ps. 24, 1-3, 17-21.	7	LU---	GR159 GB433 VPC75	No Gloria Patri at the end.

Lauds		LU1098	AR417
Ant. Tempus meum Cant. Benedictus	4A*	LU1098 LU223	AR417 AR10

Vespers		LU1099	AR417
Ant. Vos ascendite Cant. Magnificat	1D2	LU1099 LU210	AR417 AR52

Passion Week - Wednesday Introibo
		LU---	GR159
Intr. Liberator meus Ps. 17, 48-49. 2-3. Ps. 17, 4 et 7.	3	LU---	GR159 GB1054 VPC76	No Gloria Patri at the end.
Grad. Exaltabo te Ps. 29, 2-4.	3	LU---	GR160 GB277
Tract. Domine non secundum Ps. 102, 10. Ps. 78, 8-9.	2	LU527 MV459	GR89 GB425	F♯/G Same as Ash Wednesday.
Offert. Eripe me... Deus Ps. 58, 2.	7	LU---	GR161 GB245
Offert. Eripe me... Deus (verses) Ps. 58, 2.	7		OF46 GB18157
Comm. Lavabo Ps. 25, 6-7. Ps. 25, 1-3, 8-9, 11.	8	LU---	GR162 GB141 VPC76	No Gloria Patri at the end.

Passion Week - Thursday Introibo Daoudal
		LU---	GR162
Intr. Omnia quae fecisti Dan. 3, 31, 29 et 35. Ps. 118, 1. Ps. 118, 2 et 22.	3	LU1063 MV940	GR377 GB1056 VPC77	E/F Same as 20th Sunday after Pentecost. No Gloria Patri at the end.
Grad. Tollite hostias Ps. 95, 8-9. Ps. 28, 9.	5	LU---	GR162 GB282
Offert. Super flumina Ps. 136, 1. Ps. 136, 2-4.	1	LU1065 MV942	GR379 GB812 OF119 SOV24	F/F♯ Same as 20th Sunday after Pentecost.
Comm. Memento verbi tui Ps. 118, 49-50. Ps. 118, 1-2, 25, 28, 41, 74, 76, 81-82, 114.	4	LU1065 MV943	GR379 GB696 VPC77 MV2021	F/F♯ Same as 20th Sunday after Pentecost. No Gloria Patri at the end.

Passion Week - Friday Introibo Daoudal
		LU---	GR163
Intr. Miserere... tribulor Ps. 30, 10, 16 et 18. 2. Ps. 30, 3 et 11.	5	LU---	GR163 GB267 VPC77	No Gloria Patri at the end.
Grad. Pacifice loquebantur Ps. 34, 20 et 22.	5	LU---	GR164 GB819
Tract. Domine non secundum Ps. 102, 10. Ps. 78, 8-9.	2	LU527 MV459	GR89 GB425	F♯/G Same as Ash Wednesday.
Offert. Benedictus es... et non tradas Ps. 118, 12, 121 et 42.	8	LU---	GR165 GB408	Partly similar melody but different mode as Offert. Benedictus es... in labiis from Quinquagesima. One is mode 3 and this one is mode 8, they share the same tenor C. Comparison of the first two lines.
Offert. Benedictus es... et non tradas (verses) Ps. 118, 12, 121 et 42.	8		OF48 GB18158
Comm. Ne tradideris me Ps. 26, 12. Ps. 26, 1, 2-3, 9-10, 13-14.	7	LU---	GR165 GB1158 VPC77	No Gloria Patri at the end.

Passion Week - Friday - Seven Dolours of the Blessed Virgin Mary Introibo
		LU1422 MV1120	GR471	The feast of the Seven Dolours of the BVM is to be found in the sanctoral.

Passion Week - Saturday Introibo Daoudal
		LU578	GR165	Same mass as Passion Week - Friday, except the Tract is omitted.

Palm Sunday (2nd Sunday of the Passion), with procession of palms Introibo Daoudal Baron Johner
		LU579 MV507	GR166	The current PDF of the Mass & Vespers book has a glitch on pages 514 and 516: they were regrouped on the same scanned page. Page 515 does not appear. These pages have been rescanned though.
Ant. Hosanna filio David Matth. 21, 9.	7	LU580 MV507	GR166 GB817 GB2190	D/E♭ Takes place just before the blessing of palms. Starts on a joyful 5th.
Resp. Collegerunt	2		GV143 GB8107	Pre-1955.
1 Ant. Pueri Hebraeorum portantes Ioann. 12; Marc. 11. Ps. 23, 1-2 et 7-10.	1f	LU581 MV508	GR167 GB1215 GB288	D/E♭ At the distribution of palms.
2 Ant. Pueri Hebraeorum vestimenta Matth. 21, 8 et 9. Ps. 46.	1f	LU582 MV510	GR168 GB1155 GB435	D/E♭ At the distribution of palms. - Similar melody but different anyway. - Watch out the double A-G on the word prosternabant, do not rush this part.
1 Ant. Occurrunt turbae	8	LU584 MV513	GR170 GB247	F♯/G At the procession of palms. - On cum floribus don't forget to reach top D before coming back. - The melody on the words digna dant obsequia is a bit tricky, especially to catch the minor third AC after the descending DCB; the A is just a tone lower than B... - Do not pause at the quarter bar after Filium Dei.
2 Ant. Cum angelis (et pueris)	7	LU585 MV514	GR170 GB173	F♯/G At the procession of palms. Mode 7 = angelic, obviously. - Watch out the episema on "to" in triumphatori, eventually lengthened.
3 Ant. Turba multa Ioann. 12.	4	LU585 MV514	GR171 GB770	G/G♯ The tricky part is to catch the note E on 'quae', just one semitone below F at the end of 'multa'.
4 Ant. Coeperunt omnes Luc. 19, 37 et 38.	1	LU585 MV515	GR171 GB901 GB2267	C/C♯ At the procession of palms. This one is sung when the procession reaches the door. - Another tsi on descendentium. - No pause after viderant. Same after pax in terra.
Hymn. Gloria laus et honor	1	LU586 MV515	GR172 GB259	A/B♭ Hymn to Christ the King. The refrain is repeated by all then the choir will sing the verses alternated by the refrain.
5 Ant. Omnes collaudant Ps. 147.	8G	LU588 MV517	GR174 GB532 GB273	D/E♭
5 Ant. Omnes collaudant (2) Ps. 147.	8G	LU588 MV518	GR174 GB1092 GB273	E/F
6 Ant. Fulgentibus palmis	8	LU589 MV519	GR175 GB1312	B/C
7 Ant. Ave Rex noster	1	LU589 MV520	GR176 GB1051	F/F♯
Resp. Ingrediente Domino / Cum ramis / Cumque audisset / Cum ramis Ioann. 12.	2	LU590 MV521	GR177 GB606	F♯/G

Intr. Domine ne longe Ps. 21, 20 et 22. 2. Ps. 21, 2-3, 5, 7, 13, 17-18, 22-24, 28, 31.	8	LU592 MV522	GR178 GB1171 VPC77	B/C - Notice the note C on ne longe, lower than the starting D. - No pause between meam and aspice and think about going high enough on the top D; then sing a long "pi" on aspice. - It might be a good idea to breathe after et a cornibus to count the notes on unicornuorum: 3-2-2-1 before the jump GC. - No Gloria Patri after the verse.
Grad. Tenuisti manum Ps. 72, 24 et 1-3.	4	LU593 MV524 LB208	GR179 GB49	C/C♯ Difficult piece, one of the few Graduale in mode 4. Maybe it will be easier to sing the verse in psalm tone (see mixed version below). - Here too count the notes on the tricky word voluntate: 4-1-1-3. - Be very careful on the word me after assumpsisti: at first, pause at the quarter bar after the easy fourth GD and DEFG; second sing FGA like a Do-Re-Mi to come back to the same F followed by E, semitone, then F again, hold the note on the episema to jump a third FA + a semitone ABb, quickly followed by a minor third down BbG which is already tricky; and then we come to the difficult note: the A and be sure you are on A, it is lenghtened. Then you can take the ending, torculus GAG and clivis GE. Oof! - Sorry for not analysing the verse... A bit difficult for me. We'll sing it in psalm tone.
Grad. Tenuisti manum (mixed)	4 4E	LU593 MV524 LB208 LB[22]	GR179	C/C♯ This is another way to do it: sing the antiphon in Gregorian melody and the (difficult) verse in psalm tone.
Grad. Tenuisti manum (in psalm tone)	4E	LB[22]		A/B♭ This is the full psalm tone version, found in the Liber Brevior.
Tract. Deus Deus meus Ps. 21, 2-9, 18, 19, 22, 24 et 32.	2	LU594 MV525	GR180 GB372	F♯/G
Tract. Deus Deus meus (mixed)	2 2D	LU594 MV525		F♯/G This is another way to do it: sing the first two and last two verses in Gregorian melody, the rest in psalm tone 2D. The second and penultimate verses are beautiful.
Tract. Deus Deus meus (in psalm tone)	2D	LU597 MV529 LB[22]	GR--- GB___	E/F This is the full psalm tone version. It can be found in the Liber Usualis, Mass & Vespers and the Liber Brevior.
Passion of OLJC according to St Matthew Matth. 26, 36-75; 27, 1-60.		LU598 MV530	GR---	Mass & Vespers says page 531 for the Simple Rite: « The schola may sing the words for which notes are given. » There is an article from Rorate Caeli in 2012: "Palm Sunday and Good Friday -- singing the Passion", quoting SanctaMissa.
Offert. Improperium Ps. 68, 21-22. Ps. 68. 2.	8	LU602 MV541	GR184 GB486 OF49 SOV10	D/E♭ - Careful at the word contristaretur starting with a double semitone BC. - Walk slowly through the words in eam escam fel and notice the repetition of A-CBA. - After that, et in siti starts after a major third down AF.
Comm. Pater si non potest Matth. 26, 42. Ps. 21, 2-3, 5, 7, 13, 17-18, 22-24, 28, 31. Ps. 115.	8	LU603 MV542	GR184 GB650 VPC77 MV2009	A/B♭ Feel the anguish of Jesus Christ in this proper? Look at the descending neumes CCBBA and picture Jesus Christ kneeling down at the garden of Gethsemani and bowing to His Father, with the sins of the world on his shoulders. - No breathing from si non potest to illum. - Then make an unusual longer pause at the half bar before the Fiat voluntas tua «Thy will be done» to emphasize the acceptance of God's will. - And of course no Gloria Patri at the end of the psalm.

Lauds			AR421
1 Ant. Dominus Deus auxiliator Ps. 50. Miserere mei Deus secundum	2D	LU---	AR421 AR10
2 Ant. Circumdantes circumdederunt Ps. 117. Confitemini... dicat	1a2	LU---	AR422 AR11
3 Ant. Judica causam Ps. 62. Deus deus meus ad te	8G	LU---	AR422 AR3
4 Ant. Cum Angelis et pueris Cant. II. Puer. Benedictus es Domine Deus patrum	7c2	LU---	AR422 AR12
5 Ant. Confundantur qui me Ps. 148. Laudate Dominum de caelis	4A*	LU---	AR422 AR5
Hymn. Lustra sex qui jam	1	LU---	AR410
Ant. Turba multa Cant. Benedictus	4E	LU585 LU223	AR423 AR10

Prime		LU579	AR423
Ant. Pueri Hebraeorum portantes Ps. 53. Dominus regnavit Ps. 118i. Beati Immaculati in via Ps. 118ii. Retribue servo tuo	1f	LU579 LU226	AR423 AR16

Terce		LU579	AR424
Ant. Pueri Hebraeorum vestimenta Ps. 118iii. Legem pone Ps. 118iv. Memor esto verbi tui Ps. 118v. Bonitatem fecisti	1f	LU579 LU236	AR424 AR27

Vespers			AR425	Antiphons and psalms of the Sunday.
Ant. Scriptum est enim : Percutiam Cant. Magnificat	8G*	LU605 LU212 MV543 MV217	AR425 AR52

Monday in Holy Week Introibo / 2 Daoudal
		LU606	GR185
Intr. Judica Domine Ps. 34, 1-2. 3. Ps. 34, 4.	4	LU606	GR185 GB226 VPC79	No Gloria Patri at the end.
Grad. Exsurge... et intende Ps. 34, 23 et 3.	3	LU607	GR185 GB783
Tract. Domine non secundum Ps. 102, 10. Ps. 78, 8-9.	2	LU527 MV459	GR89 GB425	F♯/G Same tract as in Ash Wednesday.
Offert. Eripe me... Domine Ps. 142, 9-10.	3 3B	LU608	GR186 GB411
Offert. Eripe me... Domine (verses) Ps. 142, 9-10.	3 3B		OF51 GB18159
Comm. Erubescant et revereantur Ps. 34, 26. Ps. 34, 1-5.	7	LU608	GR187 GB196 VPC79	Similar incipit but different mode as Comm. Erubescant et conturbentur from Friday in Ember Week of Lent. No Gloria Patri at the end.

Tuesday in Holy Week Introibo Daoudal
		LU610	GR187
Intr. Nos autem Gal. 6, 14. Ps. 66, 1. Ps. 66, 2 et 3.	4	LU667 MV545	GR201 GB374 VPC80	D/E Same as Maundy Thursday Solemn Mass. No Gloria Patri at the end.
Grad. Ego autem Ps. 34 , 13 et 1-2.	3	LU610	GR187 GB903
Offert. Custodi me Ps. 139, 5.	1	LU614	GR189 GB1322
Offert. Custodi me (verses) Ps. 139, 5.	1		OF52 GB18162
Comm. Adversum me Ps. 68, 13-14. Ps. 68, 2-3, 16, 24, 31, 35.	5	LU614	GR189 GB397 VPC80	No Gloria Patri at the end.

Wednesday in Holy Week Introibo /23 /21 /18 Daoudal /15
		LU616	GR190
Intr. In nomine Domini Phil. 2, 10, 8 et 11. Ps. 101, 2. Ps. 101, 3.	3	LU616	GR190 GB236 VPC80	No Gloria Patri at the end.
Grad. Ne avertas Ps. 68, 18 et 2-3.	2A	LU617	GR190 GB1239
Tract. Domine exaudi Ps. 101, 2-5 et 14.	2	LU619	GR191 GB824
Offert. Domine exaudi Ps. 101, 2-3.	3	LU623	GR194 GB867
Comm. Potum meum Ps. 101, 10, 1 et 14. Ps. 101, 2-3, 5, 18.	2	LU624	GR194 GB588 VPC81	No Gloria Patri at the end.

Maundy Thursday Tenebrae
				Check Holy Week or Tenebrae.

Mass of the Holy Oils
		LU661	GR196
Intr. Facies unctionis Ps. 88, 3-4.	2	LU661	GR196 GB1131 VPC81	- No Gloria Patri after the verse.
Grad. In Deo confisum est	5	LU662	GR197 GB1251
Offert. Diligis justitiam	8	LU663	GR198 GB520
Comm. Praedicabant Apostoli	1	LU664	GR198 GB257
Cant. O Redemptor	2	LU665	GR199 GB8754	F♯/G

Maundy Thursday Solemn Mass Introibo Daoudal Baron Johner
		LU667 MV544	GR201
Intr. Nos autem Gal. 6, 14. Ps. 66, 1. Ps. 66, 2 et 3.	4	LU667 MV545	GR201 GB374	D/E - No Gloria Patri after the verse.
Grad. Christus factus est Philipp. 2, 8-9.	5	LU669 MV548	GR202 GB873	D/E♭ This piece is also sung at the end of Lauds during Tenebrae.
Grad. Christus factus est - chant abrégé	5
Offert. Dextera Domini Ps. 117, 16 et 17. Ps. 117, 5 et 7.	2A	LU677 MV558	GR209 GB47 SOV11	C♯/D Also sung on 3rd Sunday after Epiphany.
Offert. Dextera Domini (verses) Ps. 117, 16 et 17. Ps. 117, 5-6, 13-14.	2A		OF25 GB14203	C♯/D Also sung on 3rd Sunday after Epiphany.
Comm. Dominus Jesus Ioann. 13, 12, 13 et 15. Ps. 22. Ps. 71. Ps. 103. Ps. 150.	2	LU679 MV560	GR210 GB140 MV2009	A/B♭

Good Friday Tenebrae Daoudal
				Check Holy Week or Tenebrae.

Good Friday afternoon liturgy Introibo Baron Johner
		LU720 MV570	GR219
Resp. Domine audivi Habacuc 3.	2	LU721 MV573	GR219 GB602	F♯/G
Resp. Domine audivi (in psalm tone)	2D	LU723 MV575 LB[24]	GB___	E/F
Resp. Eripe me Domine Ps. 139, 2-10 et 14.	2	LU725 MV577	GR221 GB22	F♯/G
Resp. Eripe me Domine (in psalm tone)	2D	LU727 MV581 LB[24]	GB___	E/F
Passion of OLJC according to St John Ioann. 18, 1-40; 19, 1-42.		LU728 MV582	GR---	Mass & Vespers says page 582 for the Solemn Rite: « The schola may sing the words for which notes are given. » There is an article from Rorate Caeli in 2012: "Palm Sunday and Good Friday -- singing the Passion", quoting SanctaMissa.
Ant. Ecce lignum Crucis R. Venite adoremus	6	LU735 MV597	GR224 GB2087	E, F♯, G♯ Sung 3 times.
Improperia `I` V. Popule meum Hagios o Theos	1	LU737 MV598	GR225 GB2847…	C The Reproaches, part `I`.
Improperia `II` V. Ego propter		LU739 MV601	GR228 GB8749	The Reproaches, part `II`.
Improperia `III` Ant. Crucem tuam	4	LU741 MV603	GR231 GB428	The Reproaches, part `III`.
Improperia `IV` Ant. Crux fidelis Hymn. Pange lingua	1	LU742 MV604	GR232 GB1128 GB2209	The Reproaches, part `IV`.
Improperia `IV` Ant. Crux fidelis Hymn. Pange lingua (textus antiquus)	1		GR236 GB1128 GB463	The Reproaches, part `IV`. Textus antiquus ejusdem hymni.
1 Ant. Adoramus te (Christe)	1	LU746 MV609	GR239A GB1238	C/C♯
2 Ant. Per lignum	8	LU746 MV610	GR239A GB940	E/F
3 Ant. Salvator mundi	7	LU747 MV610	GR239A GB1335	C/C♯
Ps. 21. Deus Deus meus	F	LU749 MV613	GR239B GB447	A/B♭

Holy Saturday Tenebrae
				Check Holy Week or Tenebrae.

Holy Saturday Paschal Vigil Introibo Daoudal Baron Johner
		LU776H MV624	GR239D
Cant. Cantemus Domino Ex. 15, 1 et 2.	8	LU776R MV639	GR239D GB2060	E/F
Cant. Vinea facta est Isaiae 5, 1 et 2.	8	LU776S MV639B	GR239E GB2075	E/F Same melody as the previous canticle.
Cant. Attende caelum Deut. 32, 1-4.	8	LU776U MV639E	GR239F GB2086	E/F
Litany (1)	C	LU776V MV639G	GR239G GB457	A/B♭
Cant. Sicut cervus Ps. 41, 2-4.	8	LU776BB MV639O	GR239I GB943	E/F
Litany (2)	C	LU776EE MV639R	GR239J GB___	A/B♭

Holy Saturday Paschal Mass Introibo Baron
		LU776HH MV639U	GR239L
All. Alleluia	8	LU776II MV639V	GR239L GB507	B, C♯, E♭ Sung 3 times by the celebrant, each time at a higher pitch. The choir repeats it each time, same key.
V. Confitemini Domino Ps. 117, 1.	8	LU776II MV639V	GR239L GB507	F♯ It would make sense to start this versicle on the same pitch as where the 3rd Alleluia ended.
Ps. Laudate (Dominum) Ps. 116, 1-2.	8	LU776II MV639V	GR239L GB1247	F♯

Lauds		LU776KK MV639Z	GR239M
Ant. Alleluia Ps. 150 Laudate Dominum in sanctis	6F	LU776KK MV639Z	GR239M GB2308
Ant. Et valde mane Cant. Benedictus (solemn)	8G	LU776KK MV639AA	GR239N GB1358

Mode	Final	Tenor		examples	M	F	T
1	D	A	serious	Kyrie `XI`, Jesu dulcis, Ave maris stella, Gaudeamus, Inclina, Veni Sancte Spiritus, Dies irae	1A	A	E
2	D	F	sad/content	Dominus dixit, Qui habitat, Jerusalem surge, Vir erat, De profundis, Justus ut palma	2A	A	C
3	E	C	mystic	Pange lingua, Exsurge, Eripe me, Omnia, Gaudens, Dignus, Benedicite	3B	B	G
4	E	A	harmonious	Credo `I`, Creator alme siderum, Resurrexi, Laetentur, Confirma, Various Alle luias	4B	B	E
5	F	C	glad	Credo `III`, Adoro te, Salve Regina, Attende Domine, Cogitationes, Tribulationes, Timebunt	5C	C	G
6	F	A	devout	Ave verum, Ave Regina, Regina caeli, Ubi caritas, In splendoribus, Pascha nostrum, Requiem	6C	C	E
7	G	D	angelic	Asperges, Hosanna, Oculi mei, Factus est repente, Ecce panis, Signum, In paradisum
8	G	C	perfect	Ad te levavi, Veni Creator, O salutaris Hostia, Introibo, Jubilate Deo, Pater, Lux aeterna